[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row admin_label=\u00a0\u00bbrow\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb custom_margin=\u00a0\u00bb|auto|-34px|auto||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbText\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.1″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
Ensemble Jacques Moderne<\/span><\/span><\/p>\n Direction : Jo\u00ebl Suhubiette<\/span><\/p>\n <\/p>\n [\/et_pb_text][et_pb_text admin_label=\u00a0\u00bbText\u00a0\u00bb _builder_version=\u00a0\u00bb4.18.0″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb custom_padding=\u00a0\u00bb42px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n <\/p>\n <\/p>\n <\/p>\n HEAR THE VOICE<\/b><\/span><\/span><\/span><\/p>\n Tears of London<\/i><\/span><\/span><\/span><\/p>\n <\/i><\/span><\/span><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.17.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.17.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.17.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttp:\/\/musique-en-perigord.fr\/wp-content\/uploads\/2022\/11\/Ensemble-Jacques-Moderne.jpg\u00a0\u00bb alt=\u00a0\u00bbEnsemble Jacques Moderne\u00a0\u00bb title_text=\u00a0\u00bbEnsemble Jacques Moderne\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_image src=\u00a0\u00bbhttp:\/\/musique-en-perigord.fr\/wp-content\/uploads\/2022\/11\/3-Joel-SUHUBIETTE-\u00a9Romain-Serrano-scaled.jpg\u00a0\u00bb alt=\u00a0\u00bbJo\u00ebl SUHUBIETTE \u00a9Romain Serrano\u00a0\u00bb title_text=\u00a0\u00bbJo\u00ebl SUHUBIETTE \u00a9Romain Serrano\u00a0\u00bb _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.17.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n <\/p>\n <\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.17.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbActor||||||||\u00a0\u00bb inline_fonts=\u00a0\u00bbTrebuchet\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Ce programme se compose de tr\u00e8s belles pi\u00e8ces tir\u00e9es\u00a0du\u00a0recueil\u00a0<\/span>The Teares or Lamentations of a sorrowfull soule<\/i><\/span>\u00a0(Les Larmes ou lamentations d\u2019une \u00e2me douloureuse, 1614)\u00a0de Sir William Leighton\u00a0(1565-1622).\u00a0Issu d\u2019une famille de la petite noblesse du Shropshire, Leighton devait atteindre de hauts postes\u00a0: d\u00e9put\u00e9 de Much Wenlock en 1601, gentilhomme de la Garde Royale en 1602 et chevalier en 1603. Cependant, \u00e0 partir de 1604, une s\u00e9rie de dettes et d\u2019op\u00e9rations financi\u00e8res d\u00e9sastreuses le conduisit \u00e0 \u00ab\u00a0vivre les \u00e9preuves longues et p\u00e9nibles de l\u2019emprisonnement, des revers, des tourments, de la maladie et des afflictions\u00a0\u00bb.<\/span><\/span><\/p>\n C\u2019est pendant son s\u00e9jour \u00e0 la prison de la Mar\u00e9chauss\u00e9e (\u00e0 Londres) que Leighton \u00e9crivit ce recueil de po\u00e8mes de repentance. Il y informait des lecteurs de son intention \u00ab\u00a0si Dieu le veut, de publier rapidement quelques doux airs musicaux et accents m\u00e9lodieux\u00a0\u00bb. Fid\u00e8le \u00e0 sa parole, un recueil du m\u00eame nom fut publi\u00e9 en 1614, dans lequel \u00ab\u00a0parmi les plus excellents musiciens de ce temps\u00a0(William Byrd\u00a0(1538-1623), John Dowland\u00a0(1563-1626)\u2026)\u00a0ont, par affection pour moi, compos\u00e9 une musique des plus exquises et des plus m\u00e9lodieuses, pour mieux\u00a0embellir mes pi\u00e8tres efforts\u00a0\u00bb.\u00a0<\/span><\/p>\n En alternance avec l\u2019\u00e9clat des grandes polyphonies chorales, on d\u00e9couvre l\u2019intimit\u00e9 de ces madrigaux spirituels compos\u00e9s par Byrd, Gibbons, Wilbye & Dowland sur les textes de William Leighton. <\/span><\/p>\n \n \n Ce programme a re\u00e7u le soutien de la SPEDIDAM et de l\u2019ADAMI<\/span><\/span><\/span><\/span><\/b><\/p>\n <\/p>\n [\/et_pb_text][et_pb_code _builder_version=\u00a0\u00bb4.18.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]Le 17 d\u00e9cembre 2022 \u00e0 17h au Bugue, en l’\u00e9glise Saint-Sulpice<\/span>.<\/h2>\n
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