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Opening concert of the Festival with Karol Beffa on the theme of improvisation on 20 July 2022 at Saint Chamassy at 3pm.
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Karol Beffa
Karol Beffa studied music at the same time as his general studies, after having acted as a child between the ages of seven and twelve in over fifteen films (he played with the Piccolo Teatro di Milano under the direction of Giorgio Strehler and, at the age of eight, played Mozart in Marcel Bluwal's television film).
After graduating top of his class from the Ecole Normale Supérieure, he went on to study history (BA), English (MA), philosophy (MA at Cambridge University) and mathematics. He entered the Paris Conservatoire in 1988, where he won eight First Prizes (harmony, counterpoint, fugue, 20th-century music, orchestration, analysis, vocal accompaniment and piano improvisation). After passing the agrégation in music, he taught at the Université Paris IV-Sorbonne (1998-2003). In 2003, he obtained a doctorate in musicology with a thesis on the Etudes for piano by Ligeti. He has been a lecturer at the Ecole Normale Supérieure since 2004. In 2012-2013 he was elected to the annual Chair of Artistic Creation at the Collège de France, and in 2015 he defended an Habilitation to direct research.
In 2000, he was selected to represent France at the International Biennial of Young Artists in Turin. In 2002, he was the youngest French composer to be programmed at the Présences festival. Composer in residence with the Orchestre National du Capitole de Toulouse from 2006 to 2009, he composed a violin concerto premiered by Renaud Capuçon. As a pianist, he regularly accompanies silent films, readings and improvises on themes suggested by the audience. As a composer, he has written some twenty film scores and three stage scores. In 2016 he was awarded the Grand Prix lycéen des compositeurs and in 2017 the Grand Prix de la musique symphonique de la SACEM for his entire career. In 2013 and 2018, he won the Victoires de la Musique classique awards.
In 2015, he published (with Cédric Villani, Flammarion) Behind the scenes of creation and, in 2016, György Ligeti (Fayard). In 2017: To speak, to compose, to play. Seven lessons on music (Seuil). In 2018: Diabolus in opera. Composing with the voice (Alma) and Anagrams for four hands. A wandering history of musicians and their works (with Jacques Perry-Salkow, Actes Sud). In 2019: Ravel. A musical imagination (with Aleksi Cavaillez and Guillaume Métayer, Seuil-Delcourt). In 2021: Saint-Saëns through his pen (First Lodges). In 2022 : The Other XXth The musical century (Buchet-Chastel) and, with Guillaume Métayer, The Mysterious Bolero. Sol and Rémi with Ravel and The Moonlight Ball. Sol and Rémi with Beethoven (Seghers). Latest monographic CDs released: Into the Dark (Aparte), Blow up, In black and white, On the other side of the mirror (Indesens), Twelve Studies (AdVitam), Talisman (Klarthe), Media Vita (Klarthe), Hall of Mirrors (Klarthe).
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THE PROGRAMME: Let's improvise!
Why do I always enjoy improvising in public? Probably because it suits my laziness. Why bother memorising all the details of a score by heart? What's more, I'm the kind of person who gets distracted and forgets the score on a train. When you improvise, by definition, there's no score, so there's no risk of forgetting. And of course, there's no risk of forgetting...
When I have the chance to improvise on stage, I feel no anxiety, no fear of losing myself in my improvisation - whereas I suffer from writer's block when I compose. Sometimes the audience throws me difficult improvisational challenges: I've improvised on a meeting between Bach and Scriabin, between Chopin and Gershwin, or between Don Juan and Carmen. It stimulates me and I feel totally liberated. I know I have no choice: I have to play. And then if you make a wrong note, you can always catch it or use it by transforming it into the beginning of a change in harmony. No score, so no wrong note.
Karol Beffa
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Children's concert with Karol Beffa on 20 July 2022 at 3pm at Saint Chamassy
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Karol Beffa's improvisations
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Saint-Chamassy
The small village of Saint-Chamassy occupies a strategic position between the valleys of the Dordogne and Vézère rivers, and boasts a dozen remarkable residences, including the village castle, which was partly burnt down during the Wars of Religion. The oldest part of the church, Saint-Eumach, which owes its name to Eumachus, the confessor of the king of Burgundy, is also worth a visit. th centuryIt dates back to the 15th century. It was attached to the village castle by a portal Gothic. This portal and part of the castle and thechurch were burned during the religious wars.
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Karol Beffa concert on 20 July 2023
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Concert by the Sypniewski Trio on 21 July 2023
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Clémence Garcia concert on 24 July 2023
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Concert The Royal Brass on 27 July 2023
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Concert Les passions on 28 July 2023
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Kaspbergirls concert on 31 July 2023
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Ensemble Baroque de Toulouse concert on 4 August 2023
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Music in Perigord
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Music together
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The Festival
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contact@musique-en-perigord.fr
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+33 603 47 84 68
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24260 Audrix, France
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Ask for the programme!
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From 20 July to 4 August 2023, 7 concerts in exceptional places.
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