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Eve and Matthieu Ricard with the duo Devin
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Poems by Eve Ricard, projection of photos by Matthieu Ricard on 25 September 2022
at the Prehistory Interpretation Centre in Les Eyzies at 5pm.
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Who would have thought that poetry, music and photography, arts in their own right, could so easily blend together to create a moment filled with new sensations? Obviously, the alchemy of a sister and brother helped bring these four artists together. The poetry of words mingled with that of notes, fused with that of colours and images, to create profound moments of escape.
There are totally unexpected encounters, on a station platform or at a birthday party, between people from different backgrounds who may end up sharing a common spirit...
A moment in a special, magical atmosphere.
Shards of life in 60 poemspreface by Christian Bobin
Editions Jouvence 2021 12, 90
Ève Ricard lives as she writes, carrying the desire for what is to come, for what is to be lived. So she tells us "it's never too late", the best is yet to come. She writes for us, to be with us. With words that are both simple and crystal-clear, she seeks to touch the exactness of beauty. Through her poems, Ève Ricard opens people up to the diamond reflections of the moment, where the blessed go. "The precious thing about your text is its simplicity. It is the great naturalness of those who have not made poetry a profession, or even an art or a habit: a breath, rather, a breath in the suspended night. Christian Bobin
Ève Ricard, a speech therapist by profession, is a French writer. The daughter of author Jean-François Revel and painter Yahne Le Toumelin, and the younger sister of writer and Buddhist monk Matthieu Ricard, she has suffered from Parkinson's disease for many years and has drawn inspiration from it for her books. Her books include Parkinson blues, La Dame des mots and Une étoile qui danse sur le chaos.
"Matthieu's spiritual life and his camera are one and the same, creating images that are both fleeting and eternal".
- Henri Cartier-Bresson.
I started taking photographs when I was about twelve. I photographed puddles and reflections of light. People used to say: "Don't count on Matthieu for family photos". I wasn't a city boy and I always felt better in nature. I started photographing more seriously when I was fifteen, under the guidance of my friend André Fatras, one of the pioneers of wildlife photography in France.
After settling in the Himalayas, I photographed my spiritual masters and their world. My aim was to share the splendour, strength and depth that I witnessed. I use photography as a source of hope, with the intention of restoring confidence in human nature and rekindling wonder at the wild side of the world.
My first photo book, Journey to Enligthenment, The Life and World of Dilgo Khyentse Rinpoche, was published in the United States (Aperture, 1996) and then in France under the title L'Esprit du Tibet. I also published Dancing Monks of Tibet.
In 2000, while exhibiting at the "Visa pour l'Image" in Perpignan, I met Hervé de La Martinière. This meeting led to a solid friendship and a fruitful collaboration that saw the publication of a dozen albums of photographs: Himalaya bouddhiste (with Olivier and Danielle Föllmi), Tibet, regards de compassion; Un voyage immobile; Bhoutan; 108 Sourires; Visages de paix, terres de sérénité; Hymne à la beauté; Un demi-siècle dans l'Himalaya; Contemplations et Émerveillement.
The power of a vision, of an image, is obvious as soon as it appears. I scrutinise it carefully to determine the best way to do it justice, the technique helping me to recapture the subjective impression I felt when contemplating a scene. I like rich colours as much as I like 'colour without colour': a white bird flying past a waterfall in falling snow. Danielle Föllmi once told me that I "paint with light", a fine compliment.
When I was making the images for Un voyage immobile, l'Himalaya vu d'un ermitage, I sat in the same place for a year, as if waiting for the light. But I wasn't waiting for anything and I wasn't planning to write a book: I was simply staying in my hermitage for a retreat. From dawn to dusk, I contemplated a sublime landscape: the Himalayan range unfurled majestically before my eyes. Occasionally, an impromptu flash of light would set the scene aflame for a few moments, and I'd snap a few images. The "magic moments" that make up this collection, all captured from the terrace of my hermitage or from a few hundred metres away, are the fruit of this "waiting without waiting", of the harmony of nature mingling with the bliss of meditation.
Sometimes I don't take any photos for months on end. Then the day comes when the people, the place and the light emerge in such a beautiful way that I can't resist making an image, an offering to all those who will lay their eyes on it. Cartier-Bresson said: "Photographs take me, not the other way round". The ideal is to live in the place where you're photographing, so that time works in your favour: an exceptional scene comes into view and you're there.
I have often contemplated and admired the work of the great photographers of the past, Ansel Adams, Ernst Haas (his masterpiece The Creation, in particular, which I revisit regularly), Galen Rowell and many others. I've made friends with a number of photographers I admire - Henri-Cartier Bresson, whom I knew as a teenager and became close to, Jim Brandenburg, Vincent Munier and Yann Arthus Bertrand, to name but a few. I continue to learn from them. Sometimes I contemplate a particularly striking or inspiring image and spend a long time immersed in its beauty, its composition or the message it conveys, an image that will remain in my memory and enrich my way of seeing. A successful photograph is one that you never tire of looking at and that gives you a feeling of elevation.
Over the years, it is the eye that becomes educated and refined, enabling us to see more clearly what is there, to honour what the world and its creatures give us, and then to make the colours vibrate and the light sing, to rediscover the feeling of being gripped, Then we can make the colours vibrate and the light sing, to rediscover the feeling of awe, of a break from mental cogitations and of delight that we once had when contemplating a scene, a face, the immensity of a sky, the evanescence of a reflection, the maze of a bark or the intimacy of a flower.
Matthieu Ricard, born in France in 1946 and the son of French philosopher Jean-François Revel and painter Yahne Le Toumelin, is a Buddhist monk, humanitarian, author, translator and photographer. After a first trip to India in 1967, where he met great Tibetan spiritual masters, including his principal masters, Kangyur Rinpoche and Dilgo Khyentse Rinpoche, he completed his doctorate in cellular genetics in 1972, and left to settle permanently in the Himalayas, where he has now lived for over 50 years.
Matthieu Ricard is a Buddhist monk who uses his art to share all forms of beauty, whether spiritual, human, altruistic or emanating from the wild side of the world.
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Violin: Guillaume Devin
Piano: Ayano Devin
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THE PROGRAMME of the duo Devin
- Bach: Largo from the 3rd sonata for solo violin
- Elgar: Salut d'amour
- Vivaldi: Winter (1st movement)
- Debussy : Clair de Lune
- Poldini: the dancing doll (NON DP)
- Ravel: Pavane for a Dead Infanta
- Kreisler: Chinese Tambourine (NON DP)
- Hamabe (traditional Japanese song)
- Massenet: Meditation on Thaïs
- Sarasate: Introduction and tarantella
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The Prehistory Interpretation Centre
The Prehistory Interpretation Centre is part of an overall joint initiative to promote the heritage, cultural, tourist and landscape resources of the Vézère valley.
It is a place for exhibitions, conferences, documentation, culture and education.
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Toulouse Baroque Ensemble Trio Concert 10 September 2022
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Event concert by Eve & Matthieu Ricard and duo Devin on 25 September 2022
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Concert by the Libera me ensemble on 23 October 2022
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Concert by the Ensemble Jacques Moderne on 17 December 2022
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Music in Perigord
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Music together
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The Festival
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24260 Audrix, France
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Ask for the programme!
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From 20 to 29 July 2022, between Le Bugue, Les Eyzies and Saint Cyprien, the Festival from Bach to Piazzolla!
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